There are presently no open calls for submissions.
Appalachia is a journal of wilderness, mountain, and river adventure and environment, published by the Appalachian Mountain Club and edited by Christine Woodside.
We welcome narrative, historical, and science essays on the following topics: mountain, wilderness, and backcountry adventure; technical climbing; canoeing and kayaking; nature and climate change; and land ethics. We work far ahead and publish twice a year. We consider it our mission to encourage and work with new writers, as well as seasoned ones. The editor-in-chief solicits most lead feature stories several months ahead.
Story proposals should reach the editor-in-chief eight months ahead of publication: April 1 for December publication, October 1 for June publication.
Manuscripts sent on speculation may arrive as late as seven months ahead of publication: May 1 for December publication, November 1 for June publication.
Letters to the editor, suggestions for obituaries in our “In Memoriam” section, and short items for our “News and Notes” section may arrive five months ahead: July 1 for December publication, January 1 for June publication.
Our philosophy is that articles should be as long as they should be. Most articles run between 1,000 and 3,000 words. Some measure as short at 500 words, and our longest are 5,000. Please double-space your document, use Times New Roman 12-point font, and send submissions electronically, if possible.
Photographs or drawings accompany most of our articles and are usually provided by the authors. We also publish a limited number of standalone photos that evoke the mountains, and we welcome high-quality freelance submissions.
Original poems about the above topics are also welcome. Shorter poems are preferred. Only eight poems are published per issue, which makes this the most competitive section of the journal; on average, one in 50 submissions is accepted. Send poems to the attention of Parkman Howe via the editor-in-chief.
All work is subject to editing. We make every effort to work cooperatively with authors in the early stages of production and to explain editing decisions. Deadlines usually make last-minute communication with authors impossible.